The Sony 135mm F1.8 GM is an incredible piece of engineering, providing portrait specialists with some of the best image quality on the market today. It’s not quite up to the optical standard of the GM F1.4, nor can it match that lens’s impressive build quality, but it’s more than respectable, considering the price difference. The Sony 85mm F1.8 is a compact and affordable portrait prime. Sharp across its entire aperture range, with well-controlled lateral and longitudinal chromatic aberrations, our initial testing of Sigma’s latest prime lens has left us very impressed. The Sigma 85mm F1.4 DG DN is a relatively compact, lightweight lens perfect for portrait photographers. Whether you're taking informal headshots or making a living shooting weddings, a fast prime lens with a medium focal length is a must-have. It's a large lens, but its low light abilities and control over depth-of-field place it at the top of its class.īest prime / single focal length lens (for portraits) The Sigma 35mm F1.2 is a super-fast standard prime lens. It's worth a look, despite some AF and contrast issues. The Samyang 35mm F2.8 (also sold under the Rokinon brand) is one of the few affordable options in the classic do-everything 35mm focal length. The lens renders out-of-focus areas very smoothly, but purple and green fringing can be an issue in high contrast situations. Autofocus is swift, and it's extremely sharp wide open. The Sony FE 35mm F1.8 is one of Sony's most versatile primes, worthy of serious consideration by all Sony full-frame shooters who desire high quality in a small, lightweight package. Prime lenses are just a single focal length removing the complexity of a zoom often allows for these lenses to be smaller, lighter and sharper, while letting more light through and being more useful in dimly lit situations. It's Sony's take on the indispensable pro lens and is built accordingly.īest prime / single focal length lens (all-around) The Sony 24-70 GM is an optically excellent lens, as you'd expect given its price. It's great way to get the most from your camera. The Tamron 28-75mm doesn't go quite as wide as you might sometimes want, but it offers a constant F2.8 maximum aperture in a well-priced, sensibly sized lens. Optical stabilization helps keep the image steady at longer focal lengths. It covers a hugely useful range, is fast to focus, impressively sharp across its aperture range, and does all of this while being conveniently sized. The Sony 24-105mm F4 is one of our favorite lenses for the E-mount system. Standard zooms are just what they sound like - versatile, general-purpose lenses that start with a fairly wide angle of view and allow you to zoom in to a focal length traditionally used for portraits. Best prime / single focal length lens (for portraits).Best prime / single focal length lens (all-around).In most cases, we've also provided a more budget-friendly option, as well as a choice for those with more to spend. Should this feature be turned off, vignetting will be an issue.įor each of the categories below the winner was the lens which we found to offer the best combination of quality and value. Note that any APS-C (Sony E) lenses will have a 1.5x crop automatically applied by a full-frame camera by default. Loxia 50mm which I prefer over the Sonar 55mm.Best lenses for Sony full-frame mirrorless cameras Other honorable mentions that didn't make the list: Gets my vote ahead of the new sharper Sigma 85 1.4 DG DN for portraits. There is something special about the images, colors and the bokeh of this lens. Full body and waist up portraits at about F3.2 look really good. Wide open close up, the subject glows and this renders it very useful for close-up flower photography. Over creates very pleasing images of anything. The smoothest OOF rendering that even makes harsh backgrounds appealing. This lens has a unique drawing, zeiss colors and despite being a slow lens its sharp and has that Zeiss pop too.Ī very unique and special lens. Still the smallest (along with the samyang 35 2.8). There is something special about its rendering and it has that infamous Zeiss pop. Was for many years the best 50mm lens for Sony until the GM 1.2 came along. Sony Zeiss Planar T* FE 50mm F1.4 ZA | SEL50F14Z Which E-mount lenses to date do you think will at some point become legends\classics and gain cult status?
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